“aptly personified and mellifluously sung by Bridget Cappel (Meg)…”

— The Dallas Morning News (Little Women)

“Her cohort of sisters likewise uniformly find depth and beauty in their roles with mezzo-soprano Bridget Cappel as Meg…”

— Onstage North Texas

“Mezzo-soprano Bridget Cappel ably portrays Margaret (Meg), the most beautiful of the March sisters.”

— EarRelevant: The American South’s voice for Classical Music

“Mezzo-soprano Bridget Cappel’s assertive Eduige brought a supple, beautifully focused voice to the complicated story”

— San Diego Story (Rodelinda, Opera NEO, 2024)

“A real mezzo-soprano voice that is very flexible.”

— Theater Jones (Carmen, La Tragedie de Carmen 2019)

“the trio of mestiza and indigenous women demonstrated great overall balance, with clear and assured solo passages by mezzo-soprano Bridget Cappel as Toypurina.”

— Opera News (Zorro, Fort Worth Opera)

“Beauty of Tone and Honesty of Feeling…”

— The Boston Musical Intelligencer (Dorabella, Cosi fan tutte, Boston University Opera Institute)

“The wife—played by Bridget Cappel—realizes her husband’s indecency and wraps her fancy shawl around the young Emmeline, walking out after shooting Maguire a knowing, indignant glare.”

— The Boston Musical Intelligencer